South Indian Movies
South Indian Movies refer to four distinct film industries in the South Indian region. Tamil, Telugu, Malayalam, and Kannada film industries as a whole. They are based in Chennai, Hyderabad, Cochin, Bangalore, etc.
Although it has developed independently over a long period, the extensive exchange of cinematographers and technicians and globalization have helped shape this new identity in Indian cinema. And also, The industry is structured by the South Indian Film Chamber of Commerce.
Best South Indian Movies
- Baahubali: The Beginning (2015)
- Baahubali 2: The Conclusion (2017)
- Ustad Hotel (2012) 151 min | Comedy, Drama
- Premam (2015) 8.3
- Kaththi (2014)
- Vikram Vedha (2017)
- Ennu Ninte Moideen (2015)
- Mumbai Police (2013)
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Beginning of South Indian Movies
Early start during the Madras Presidency
In 1897, a European exhibitor displayed silent short films for the first time at the Victoria Public Hall in Madras (present-day Chennai). All films featured popular science themes; they have mostly photographed recordings of everyday events. And also, An Electric Theater was opening in Madras (present-day Chennai) to show silent films. It was one of the favorite places of the British community in Madras. The theater closed after a few years. A lyric theater was also built in the Mount Road area. Various events have taken place here, including English plays, Western classical music concerts, and ballroom dancing. Silent films are also showing as an additional attraction. Although, he pitched tents to show films. His tent theater became famous, and he traveled the state with his mobile squad. In later years, he produced sound films and also built a movie in Coimbatore.
First South Indian Films
The first production in Madras was Kichaka Wadham (Destruction of Kichaka), produced and directed by R. Nataraja Mudalyar, who founded India Film Company Limited. During the 1920s, silent Tamil films were filmed at makeshift locations in and around Chennai and sent to Pune or Calcutta for technical processing. Later, movies with the participation of M.K.Tyagaraj Bhagavatar were shot in these cities. Telugu artists began actively filming the silent film Bhishma Pratighna in 1921. Although, The film was direct by Raghupati Venkaya Naidu and his son R. S. Prakash. Along with Yaragudipati Warada Rao, the two will produce and direct dozens of films over a decade, selecting stage actors for the lead roles. They created a consistent precedent for focusing exclusively on religious topics; Nandanar, Gajendra Moksham, and Matsyavatar, three of his most famous productions, are dedicating to religious figures, parables, and morality.
Social Influences and Superstars in South Indian Movies
The Madras presidency was divide into the linguistic states known today as Karnataka, Kerala, Andhra Pradesh, and Tamil Nadu. In 1936, the massive appeal of film allowed filmmakers to move away from religious and mythological themes. One of these films, Jivita Nuka (1951), was a musical drama about the problems of a shared family. Dozens of “social films” have previously been release in Telugu, notably Prema Vijayam, Vandemataram, and Maala Pilla. The politicization of films by Congress virtually cease shortly after India’s independence in 1947. Dravida Munnetra Kazhagam (DMK) was the first – and the only – party to take advantage of visual cinema. Guerrilla theater actors and writers, inspired by the ideology of Periyar E.V. Ramas, brought the philosophy of Tamil nationalism and anti-Brahmanism to the celluloid media. Although, The films made direct references to the independent Dravida Nadu, which its leaders preached, and in many cases used party symbols.
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